Last week, I had the privilege of attending my first ever London Fashion Week catwalk show (daaahling).
It was the show of up and coming menswear designer Paul Bench whose creations, unlike his name, were far from mundane. Think indecently short shorts, spray-painted shirts and male romper suits, all modelled by skulking vampire-pale teens with unwashed hair and you’ll start to get the picture.
Now, fashion is a bit like marmite. There are those, like me, that love it. And there are those that look upon it a bit less favourably. This post is written in response to Angus’ from earlier this year (see here). I do absolutely agree that the media-fuelled obsession with being seen in the very latest designer gear borders on obscene, and is breeding a dangerous consumerism that always wants more, new, and now.
However, that is where our opinions part ways. Because I disagree that fashion is ‘vacuous’, a word which is defined as ‘mindless’ or ‘empty’. Those who have read up on or studied fashion will know that a huge amount of thought and research goes into designing a collection. Each season, the fashion world presents a selection of garments that pull together a huge array of cultural, literary, artistic and historical references. True, the garments that result are rarely practical (tried going to the loo in a onesie?), and rarer still are they affordable. But I’m one of those who consider fashion to be a high art, not least because it has the capacity to shock, mock and get us talking – as the best art does.
A romper suit is, I am sure, not going to be on the top of most men's Christmas lists this year. But if the sight of one lurching down a catwalk can push boundaries enough to get the audience thinking – even the littlest bit – about our preconceptions about what people should wear (why SHOULDN’T men wear babygrows?), it’s got to be a good thing.
Flo Wales Bonner